Kathleen Shoop - Author of the Last Letter
Menu
Skip to content
  • Books
    • The Letter Series
      • The River Jewel: A Letter Series Novella
      • The Last Letter
        • Reviews
        • Excerpt
      • The Road Home
      • The Kitchen Mistress
      • The Thief’s Heart
      • My Dear Frank
    • The Donora Story Collection
      • After The Fog
        • Reviews
      • The Strongman and The Mermaid
    • Love and Other Subjects
    • The Endless Love Series
      • Home Again
      • Return to Love
      • Tending Her Heart
    • Chicken Soup for the Soul Series
      • Thanks Dad
      • My Cat’s Life
      • Runners
      • Think Positive
    • Tiny Historical Series
      • Melonhead
      • Johnstown
    • Mindful Writers Retreat Series
      • Into the Woods
      • Over the River and Through the Woods
    • Bridal Shop Series
      • A Puff of Silk
  • Blog & News
  • Readings & Events
    • Book Club Calendar
  • Media, Awards & Reviews
  • About Kathleen Shoop
    • Other publications
  • Contact
    • Publicist Contact

Cooking and Cleaning… And Vapor Bathing

7 / 15 / 157 / 15 / 15

I’m going to take a look over my shoulder, back into 1890 when The Compendium of Cookery and Reliable Recipes was written. As I mentioned in an earlier post, I am sharing some of the research I’ve done in order to shape the character and plot of The Road Home and The Garden Promise.

Rustic wooden spoon with fresh herbs on an old wooden board
Rustic wooden spoon with fresh herbs on an old wooden board

While this cookbook covers every imaginable type of food preparation known at the time it was written, it includes other topics for homemakers as they cobble their lives into pleasant existences, encouraging women to make the most of their circumstances no matter what they are.

There’s a section on “How to be Handsome.” And as you can imagine, the authors, Mrs. E. C. Blakeslee of Chicago, Miss Emma Leslie of Philadelphia, and Dr. S.H. Hughes of Boston, weren’t referring to how a man might keep himself attractive. It was the housewives they were speaking to.

“… the power of beauty has controlled the fate of dynasties and the lives of men. How to be beautiful, and consequently powerful, is a question of far greater importance to the feminine mind than predestination or any other abstract subject.” (Page 299)

I suppose this perspective explains the need to actually address a woman’s appearance in a book mostly devoted to caring for one’s home. As I first read this section I was surprised to find that the authors suggest “The first step to good looks is good health, and the first clement of health is cleanliness.” (Page 299)

Cleanliness! As germ theory was further developing, the idea that bodies needed to be fresh became more and more important. “Keep clean—wash freely, bathe regularly.” (Page 299)

Istock
Istock

I know that women have always taken care with their appearance, but I knew that “life circumstances,” like no running water, spare wardrobes, lack of money, no feminine products might have kept women from keeping “clean” as we think of it today. I had also been under the assumption that people bathed less—years less over a lifetime less—than we do. This then had me primed for surprise to see that this cookbook included instructions on how to bathe and its importance. “It is well to use a flesh-brush, and afterwards rinse off the soap-suds by briskly rubbing the body with a pair of coarse toilet gloves. The most important part of a bath is the drying. Every part of the body should be rubbed to a glowing redness, using a coarse crash towel at the finish. If sufficient friction can not be given, a small amount of bay rum applied with the palm of the hand will be found efficacious.” (Page 299)

I thought this was all very interesting (especially the use of Bay Rum which is a type of cologne/deodorant/astringent/ made originally in St. Thomas from bay leaves and rum.) even if it seemed a bit aggressive for self-care. I assume the scrubbing to redness perhaps had to do with the relative filthiness that 19th century women contended with on a daily basis (coal heat, industrialization without any pollution controls, making every blessed thing from scratch). But then I read this sweet little, gentle bit of information and it did indeed floor me, then inspired me to include elements of this in my work… hold onto your hats, dear readers…

“Ladies who have ample leisure and who lead methodical lives take a plunge or sponge bath three times a week, and a vapor or a sun bath every day.” (Page 300) Sunbath? Vapor bath? A little time in the fresh air sounds nice, doesn’t it? A little tea on the veranda or coffee on the back porch while the servants toil in the kitchen garden… sounds reasonable, sounds like something that fits the 19th century, American way of life… but then there was this:

“To facilitate this very beneficial practice, a south or east apartment is desirable. The lady denudes herself, takes a seat near the window and takes in the warm rays of the sun. The effect is both beneficial and delightful. If, however, she be of a restless disposition, she may dance, instead of basking in the sunlight. Or if she is not fond of dancing she may improve the shining hours by taking down her hair and brushing it, suing sulphur water, pulverized borax dissolved in alcohol or some similar dressing…” (Page 300)

Istock
Istock

Naked dancing at noon, brushing hair while clothed in nothing but the midday sunrays! Prudish Victorians? My naked, sunbathing ass, they were! I love, love, love that this is in a source that I can use without worry that I’m being anachronistic. There is nothing I love more than stumbling across research that flies in the face of what we believe about a certain era or class of people.

 

This is what makes the work so much fun for me. So… what kind of vapor bath girl (or guy) are you? Dancing, lounging, brushing your hair, something else? I think if I’m vapor bathing I’m going all out dancing. Perhaps that’s where that quote “Dance like no one’s watching,” originated? Oh, how I love this cookbook.

Share
  • Pin it
  • Share
  • Tweet
  • Share
  • Email
  • Print

The Evolution of Tommy Arthur

6 / 19 / 156 / 19 / 15

In The Last Letter Jeanie and Frank Arthur had a son named Tommy. He and his twin, Katherine were ten-years-old when the book opened in 1887 timeline. Tommy was a bit of a curmudgeon who felt the weight of losing his pampered boyhood to the mean prairie lands that brought fire, famine, and death as often as it did an edible crop. Tommy turned to Bible verses in times of trouble, but he really took a backseat to his siblings Katherine, James and even baby Yale who was born later in the novel. In the 1905 timeline, Tommy arrives on scene, an unhappy man whose life has not gone the way he wanted. He’s an ordained minister, yet he can’t seem to find the smallest sliver of forgiveness for his mother or peace for himself…

istock
istock

So, as I planned The Road Home and The Garden Promise, I wanted to have Tommy play a more primary role than he did the first book and I wanted his character to change. Part of bringing a more fully realized Tommy to life involved the family letters. So much of Jeanie Arthur’s correspondence centered on her second son’s (Gale) mischief, “I don’t know whether Gale will ever write to you or not… he won’t do much of anything only what he pleases. I hope he will act better after Jamie Coman goes home, he is always teasing him and bossing and fussing with somebody. I hope I will get a rest when they are all away to school I feel on the border of nervous prostration now. I won’t be boarding any more children while Gale is around he would make an angel disobedient and unruly.” In addition, Jeanie often noted sixteen-year-old Gale lacking ambition as she referred to him being “…a first class loafer.”

As Jeanie chronicles Gale’s attempts at finding and keeping a good job, she describes her son as he was hired on at the Savery Hotel. “(Gale) started today to work at the Savery Hotel as a bellboy but the elevator boy quit then they put him on the elevator. He says he does not like it as it is an old elevator, runs hard and the strands of the cable were breaking today so he is afraid of it. He is going to tell them tomorrow that he had rather be bellboy so he may get fired. On the elevator you get fifteen dollars a month and board, bellboys get twelve dollars, board and tips. He works from 7 until 7.”

This little elevator strand of information came in handy when I was looking to thread historical flavor into the novel when employing the character of Tommy. Research revealed why an elevator boy would make so much more money than a bellboy—it was dangerous. Gale’s discomfort with the hard-running elevator and unreliable cables was a legitimate concern at that time in history.

While the facts about the jobs that my great uncle won and lost over the years were helpful in crafting the plot, I found that I wanted to steer away from my great, great grandmother’s characterization of her son as only lazy. And yes, that is the primary “theme of Gale” throughout the body of letters. And that was similar to how Tommy was portrayed in The Last Letter as a young male living up to his golden-boy, brother James. But in writing The Road Home, I wanted Tommy to embody the complexity that all people do. Part of Tommy’s transformation involves his attempt to be the man his father could not be for his family. In the 19th century a fourteen-year-old boy would be much more like an adult than a child. However, I knew I could use elements of Gale in Tommy as he took two steps forward into adulthood and slipped one step back into boyhood…like any teenager would.

Be sure to pick up your copy of The Road Home and check out the “Evolution of Tommy Arthur!”

Share
  • Pin it
  • Share
  • Tweet
  • Share
  • Email
  • Print

Raising a boy… a look back to 1908

6 / 18 / 156 / 19 / 15

In The Road Home, the character of Tommy is fourteen in the 1891 plotline. His character was inspired in part by my great uncle, Frank Gale Arthur (son of Jeanie and Frank), and in part by my great-grandfather James. In the real family letters that were written after Jeanie and Frank divorced, Frank, Jr. was never referred to as Frank. I don’t know if that’s because Jeanie didn’t want to have the name Frank on her lips each day or if they had always called him Gale to cut down on name confusion around the house.

Photo is a later than 1891, but the idea of boys driving wagons for work is the same... (Photo by Archive Photos/Getty Images) -istock
Photo is a later than 1891, but the idea of boys driving wagons for work is the same… (Photo by Archive Photos/Getty Images) -istock

It turns out Gale’s personality apple did not fall far from his father’s tree. In reading 500+ pages of letters the mentions of Gale far outweigh that of any other sibling. Because I have few letters from Frank, it’s hard to tell if he was as difficult a person as he comes across as in the divorce papers, but if Gale’s behavior is any indication I would say it’s likely.

My great-grandfather, James O. Arthur, became a minister like the character of Tommy. But I infused great-Uncle Gale’s wanderlust and unreliability into Tommy as well. At the time this set of letters was written the roles of the children are fairly clear—James and Margery were reliable, intelligent, independent and content with living away from their mother and siblings. They were about twenty and eighteen-years-old when the letters began. Gale was fifteen or sixteen and the star of nearly every letter Jeanie writes to James. Here’s a simple breakdown of the family:

  • Jeanie: single mother busting her ass to keep their house from the tax collector and salivating foes who wanted the property.
  • Frank: sent occasional letters to kids… claimed to want to be in their lives, but never actually appeared… always broke
  • Alice: died at age of 2 on the prairie
  • James: the rock
  • Margery: absent but independent
  • Gale: an emotional and economical worry if not a drain—hoping for an invite from his father to go live with him—the invite never comes.
  • Dorothy: difficult and nearly as troublesome as Gale
  • Jeanie: Not mentioned much, but appears to be an easy child
  • Jessie: youngest child—always heading into or out of an illness
Istock
Istock

And so, as Jeanie worked multiple jobs (more on that soon!) and juggled her children so that some were boarded out to families who needed extra hands and the oldest contributed to the family in every way possible. She was met with frustration at Gale’s tendency toward wanting the life of a “gentleman” but not really up for the work that it would take to actually be one.

 

It’s with this framework that I will offer some of Jeanie’s attempts to parent her children alone. And by parenting, it seems as though that meant:

  1. keep everyone healthy and alive
  2. require each child to contribute to the family even if living somewhere else
  3. press for education that would ensure a better/easier life and again—eventually to help to keep the family house in the Arthur name.

1907 was a very different time in America when it came to raising children. Gale who was 16 at that time held at least twenty-two jobs between August 1907 and November 1909. While still attending (begrudgingly) school, some of these were formal jobs like:

  • Newspaper boy
  • Wagon/Team driver for Mr. Fitzgerald
  • Mechanical drawer
  • Folding Hides at packing plant
  • Bellboy at Savery Hotel
  • Elevator man at Savery Hotel
  • Book and newspaper salesman on a train route to Denver and back
  • Bellboy at Chamberlain Hotel

He also contributed money by holding these informal jobs as well:

  • Digging potatoes
  • Clearing gardens
  • Hunting rabbits
  • Trapping groundhogs
  • Selling his bike for cash
  • Work at County Fair
  • Chores for Aunt Alice
  • Chores at the Carpenters
  • Firing furnaces at various homes

All of these informal jobs that Gale performed were referenced along with him being paid to do them. Jeanie often expressed frustration at Gale not being willing to do these jobs and then also help more at home. To this 21st century mom the exchange of room and board–the way Jeanie discusses it–feels more like business dealings with strangers than the raising of a child. This is an astonishing list of jobs to have held between the time Gale was sixteen and eighteen, yet it was never enough.

Jeanie writing to her son, James, “The children are fat and healthy looking. They eat hazel nuts every day and I guess they don’t suffer though Gale said the other day I was getting stingier every day.”

This idea that Jeanie is stingy is an important theme in the letters especially in the ones that were written in 1914 near the time of Jeanie’s death.

In another letter Jeanie says, “Gale does not do anything round home, only milk the cow, get coal and kindling. He makes a first class loafer.” Her exasperation is clear.

“Gale started doing the chores at Carpenters when Father (her father) quit. Last night the dogs held him up so he wa afraid to go to the house to get the milk pail so he came home without milking and won’t go back. He spends all his time trapping gophers for the bounty ($1.10 for eleven). He sent to Chicago for a 22 revolver so I expect somebody will be getting killed. I have it locked up at present…” In the next letter… “Gale has not got a job yet, has given up his paper route too. Grandpa has promised him a dollar if he will clean out his potato patch.” And then a truly illuminating passage:

“I think I told you (James) last week that Gale was driving one of Fitzgerald’s teams for him on grade work for the city. He gets a dollar a day. Margie and Dorothy have mowed the yard a couple of times so it does not look bad. I have not had time to touch it. Gale won’t do anything at night after he gets home, says he does his days work and pays his board, that’s all he is going to do, so I have to keep my garden as clean as I can myself…”

And a couple of weeks later to James… “Gale has been out of work for a week. Fitzgerald had one of his teams laid off… Gale has spent all of his money beside what he paid me for board for a bicycle so he has not saved a cent. If he does not get any work soon he won’t be able to pay his board and I have been counting on that money to help on the mortgage. I want to pay off Shope this fall if possible… Will you have enough for interest and taxes?”

Yes, times have changed all right. So let’s talk… What do these little snippets tell you about time, place and people?

Coming soon… a deeper look at how details like this informed the characters and events in The Road Home.

Share
  • Pin it
  • Share
  • Tweet
  • Share
  • Email
  • Print

Writing a Sequel–Revisiting the Past…

6 / 17 / 15

Part of the fun of creating fictional characters is having the freedom to build “people” who are wonderful, dastardly, loving, hateful, hated, adored—each somehow, hopefully unforgettable.

In writing The Road Home

The Road Home novel book cover
The Road Home (June 2015)

I had the opportunity to re-enter the lives of the characters that I had created in The Last Letter. This chance was fantastic and daunting at the same time. I hadn’t expected The Last Letter to end up being book one in a series so when I realized I needed to write books two, three and four, I was a little stymied about how to proceed.

As usually happens when faced with a writing problem, I experienced something that provided the clarity I needed to proceed with the project. In this case it was when I saw the play, Wicked. There was so much happening on the stage that I had never imagined for the characters I first met in The Wizard of Oz. As I watched Wicked unfold, I suddenly knew—it didn’t matter that I hadn’t mapped out four books of The Letter Series before writing the first. As with most people we know in life—we usually only know certain sides of who they are. Like real people, I could allow the characters who were introduced in The Last Letter to have aspects of them that they and others had forgotten, hidden, or altered. I suddenly understood I could keep the essence of each character, but invent the “rest of their stories,” in a full Letter Series.

Guiding me in the process of reinventing the Arthurs were two things:

  1. The second set of family letters that my great-great grandmother and her family wrote AFTER Jeanie’s marriage to Frank dissolved in 1903.
  2. The 1905 and 1887 timelines I set up in The Last Letter. I will talk about these timelines in the coming days, but in the next few posts I want to use the letters to discuss how they helped to shape characters, events and plot in The Road Home.

Letters book coversHaving five hundred pages of letters  to read may seem overwhelming but this volume of writing at my disposal revealed clear patterns of behavior within the Arthur family as reported mostly by Jeanie and her firstborn son, James. Here is the birth order of the real Arthur children born to Jeanie and Frank:

  1. Alice Mabel, b. 1884
  2. James Osborne, b. 1887
  3. Margery Wilder, b. 1889
  4. Frank Gale, b. 1892
  5. Dorothy, b. 1894
  6. Jeanie Gillespie, b. 1896
  7. Jessie May, b. 1899

It wasn’t long into the writings (most letters are from the time-span of 1907-1910) to see:

  1. James (approx. 20 years old—he is away for work and school) is Jeanie’s rock after her marriage fell apart.
  2. Margie (approx. 18) has a wonderful personality, but writes infrequently (she is reliable in other ways and self-sufficient though away from home to teach school).
  3. Frank Gale, Jr. is referred to as Gale… he is a substantial thorn in Jeanie’s side (approx. 16—lives at home, but then boards out at turns) and appears most frequently in the letters.A dilapidated two storey late Victorian Georgian farm house with corrugated iron roof with attic space and corbelled brick fireplace,  no longer lived in.  It once had an upper storey verandah with fancy wrought iron lattice work.  It lies between the Hawkesbury river and the plains of Freeman's Reach. The house has survived many hardships including floods. It would have been beautiful in its day, but unfortunately doesn't look like it will be standing much longer.
  4. Dorothy (approx. 14) causes almost as much trouble as Gale does.
  5. The younger girls are mentioned much less and normally when something is wrong.
  6. Beyond reports on family happenings, the family economy is the primary topic in the letters.
  7. Life was exceptionally hard as the 19th century turned into the 20th. However… readers of The Last Letter already knew that!
  8. There are moments of redemption and joy amidst all the trouble…

The letters provide a view into a life of an educated, but just-barely-scraping-by family. They illuminate the best of the human condition as mother and children come to grips with choices made and the subsequent consequences.

To begin this journey through the letters and behind the book (The Road Home) we’re going to take a look at Gale (one of the real Jeanie Arthur’s sons) and how the information about Gale helped to provide some of the layers that are evident in the character of Tommy in The Road Home… Coming soon…

Share
  • Pin it
  • Share
  • Tweet
  • Share
  • Email
  • Print

Mindful Writing and Me–An interview at Madhu Wangu’s Blog!

6 / 17 / 15

Madhu Wangu kindly invited me to have a conversation about writing on her blog at Madhubazazwangu.com. Madhu, an artist and author, has a wonderful collection of stories out called Chance Meetings. It’s a must read for anyone who adores rich, character-driven, truly unique stories. Take a look at the conversation Madhu and I had and get to know know of us better!

 

 

Share
  • Pin it
  • Share
  • Tweet
  • Share
  • Email
  • Print

The Road Home Giveaway — Stay Tuned…

6 / 1 / 156 / 14 / 15

Giveaway! Stay Tuned for details on entering the contest!

Here’s a little teaser for the upcoming giveaways that will usher THE ROAD HOME into the world… These are just two of the treats that will be included in several sets of goodies… These handmade travel journals (by Charlotte @judgedbyaBOOKScover https://etsy.me/1Rv2Uqe) will call to mind the past and make your future wanderlusting even more special as you can use it to capture the best (and funny worst) of the trip! The journals were made especially for THE ROAD HOME launch and contain travel quotes from the book and other sources! More info to follow…

Yellow journal, outside
Yellow journal, inside
Gray journal, inside
Custom travel journals for The Road Home
Share
  • Pin it
  • Share
  • Tweet
  • Share
  • Email
  • Print

Fashion Shapes and Sleeves!

5 / 30 / 156 / 14 / 15

Woman in a black skirtBefore I researched The Road Home and The Garden Promise I thought I had a better grasp of 19th century fashion than I did. In The Last Letter, fashion wasn’t as important as was survival. Though Jeanie, Lutie, and Katherine may have lamented certain elements of clothing they lacked on the prairie (pretty silken shoes!), minute-to-minute survival took precedence over the dream of a proper bustle to lift one’s skirt to just the right height and angle.

But it wasn’t until I was describing Katherine getting dressed in a particular scene in The Road Home that I realized I had no idea what I was talking about when it came to her underthings. Suddenly I was aware that the hoop wasn’t right for 1891. The pouffy look of the 1830’s differed from the looser early 1800’s appearance and the mutton sleeve look of the 1890’s was vastly different than the billowy shape of 1835.

Three eras of dressIn every era there was a dominant sleeve, bodice, and skirt shape that represented the ideal look of beauty. In my mind I had sort of lumped all the “old-fashioned” looks together and really had to begin the work of sorting through how it was a woman achieved a certain “fashionable” shape. These original prints by Henri Boutet show some of the silhouettes, sleeves and necklines that were popular over time. The first drawing that shows the woman in black is outfitted in a walking costume–the height of 1885 fashion. The next three from left to right depict the fashions of 1808, 1835, and 1892.

As I researched the underpinnings of these clothing styles I also began to consider how these “ideals” of fashion fit into Katherine and Jeanie’s world. Just because these were examples of how women should dress it didn’t mean they had the means to dress that way. And it certainly didn’t mean that a woman who was tasked with tending a farm dressed like the woman with a staff to tend her home…

I think the 1808 dress looks most comfortable… how about you?

Share
  • Pin it
  • Share
  • Tweet
  • Share
  • Email
  • Print

Love From Mama — the second collection of family letters

5 / 29 / 156 / 14 / 15

Letters book coversAs part of the upcoming launch of THE ROAD HOME I am putting out a second book of Arthur family letters. Again, these are real letters, not a novel. Some people love to read things like this in order to get the flavor of a another time and place. So, if you would enjoy a view into the past then this collection is for you!

The first collection called MY DEAR FRANK is a group of love letters Jeanie wrote to Frank during the year of their engagement–before they went homesteading on the prairie. LOVE FROM MAMA is a second, much longer collection of letters by Jeanie, her children (including the real James who did not die on the prairie!), relatives and some friends. These letters were invaluable in helping me create the context of the time in a way that is truly unique and that stretches beyond strongly held stereotypes. The contrast in Jeanie’s voice between the two sets of letters is just incredible. The first set is full of hopeful, poetic thoughts as well as her dreams and plans. The second set reflects the reality of a divorced mother living in the early 1900’s as she struggles to keep her children together. I’ve culled a number of interesting phrases and issues that I will be sharing here soon!

Share
  • Pin it
  • Share
  • Tweet
  • Share
  • Email
  • Print

Vaccination: Past and Present

2 / 4 / 154 / 27 / 15

I wrote this following article a few years back for Pittsburgh Parent Magazine. It seems as though the stories are as timely now as they were in
2011. I have not edited or changed anything so if anything is out of date stats-wise, that is the reason. The sentiments and family perspectives are important to consider in the current vaccine debate…

Vaccines—Considering Past and Present

By,

Kathleen Shoop, PhD

Ever since scientists determined that teeny, unseen germs were responsible for disease, people have been clamoring for them to develop safe vaccines to keep those organisms from sickening, crippling, and killing.

The science behind vaccinations is as intricate as Beethoven’s 5th concerto. It’s considered by some a miracle that scientists have been able to engineer immune responses that trigger protective antibodies, but don’t infect the recipient with the offending illness. This complexity, along with fears of rare but severe vaccination reactions, complacency in our relatively immunized population, and an anti-vaccine movement have created an environment in which it may seem to make sense not to vaccinate. In turn, vaccination coverage rates have been dropping.

Dr. Robert Chen, created a graph in 1998 called, “The Natural History of an Immunization Program,” to illustrate that phenomenon. The graph depicts how people respond to the availability of vaccines over time. First, everyone is thrilled to have an answer to deadly, debilitating diseases. After disease is eradicated or rare, a sense of security settles in. People shift their focus from preventing disease to scrutinizing the vaccines and side effects. Next, with the population having forgotten what the diseases are like, portions of people stop immunizing. In the final phase the diseases re-emerge, reminding the general population what it had once fought so hard to eradicate.

To help us understand these forgotten diseases, Wendie Howland, RN, MN, CRRN, CCM, CNLCP recalls “[I remember] classmates’ mothers having blind babies when their kids brought home rubella in [their] first trimesters, babies born dead or deaf from measles, or teenagers who somehow escaped mumps as children only to become permanently sterile when their testes were fried after getting it as adults.”

Mary McManus recalls her experience with polio. “In 1959, at the age of five, I dropped to the ground during kindergarten as we were dancing around the gym. I’d been playing with a good friend the day before and her mother contracted polio the same day as I did. She was unvaccinated and had a much worse case than I had. I was paralyzed on my left side and dependent on my parents for total care during the initial attack of the virus. I was in physical therapy until I was 13. In 1996 I developed the symptoms of post-polio syndrome.”

These stories remind us of what’s at stake when we consider vaccination for our families.

Two Perspectives

The pro-vaccine group is peopled with scientists, doctors, public health practitioners, and growing groups of vocal parents who want to see disease controlled preventively with vaccines.

With another point of view are those who downplay or oppose immunization programs and are part of what is sometimes called the “Anti-Vaccine Movement.” These parents, lawyers and doctors view vaccines as dangerous compared to getting the diseases they prevent. They believe our bodies should be left alone to best fight these illnesses and they view vaccine programs as the result of greedy businesspeople and/or a shortsighted, power-hungry, government machine.

Online searches and books like Vaccine Epidemic: How Corporate Greed, Biased Science, and Coercive Government Threaten our Human Rights, Our Health, and Our Children (edited by Louise Kuo Habakus, M.A. and Mary Holland, J.D.) reveal a plethora of accessible anti-vaccine information, which features powerful parental and medical anecdotes linking vaccines to developmental and chronic illness.

Vaccine Epidemic is framed as a tool for informing the public about parents’ rights to decline vaccinations for their children. Unfortunately, the book largely fails to include scientific data that goes against the premise of the book, and includes many factual errors. One such error is putting forth the notion that diseases such as scarlet fever were eradicated “naturally” over time without a vaccination, and therefore it should be expected that diseases like polio would have done the same.

In fact, scarlet fever is caused by the same bacteria that causes strep throat, and still occurs regularly in the United States. Fortunately, effective treatment with antibiotics has quashed the horrific epidemics of yesteryear. Nonetheless, theories and anecdotes such as these, though not based on sound scientific knowledge, create an aura of truth that gives even the most pro-vaccination parent pause before agreeing to immunize.

Parents in Pennsylvania can refuse to vaccinate their child for medical or philosophical reasons. However, it’s important to know exactly what parents are choosing when opting not to immunize against childhood disease. Sometimes it’s helpful to remember what it was like before vaccines, to revisit what life with once unpreventable diseases was like, as Wendie and Mary’s stories above do. Why? Because some of these diseases are coming back.

According to public health records, hib, pertussis (whooping cough), measles, and mumps outbreaks have been reported in the United States and Pennsylvania in the past several years. Conversations with a variety of parents revealed that there’s a sense that these diseases are no big deal. There is a perspective that when preventable disease strikes it merely inhibits daily life. Mom and Dad need to stay home from work, children are uncomfortable and bored, but that there is no solid reason to prevent these diseases.

If only that were the case.

Paul Offit, MD, (Deadly Choices: How the Anti-vaccine Movement Threatens Us All and person who holds the patent for Rotavirus vaccine) writes that the trouble with letting a few kids here then a few there to go unimmunized is that unprotected individuals grow into groups. He asserts that these diseases are not harmless. Measles, mumps, hib, pertussis–all vaccine-preventable diseases– are smart, efficient and strategic. They know who to attack—the unvaccinated—and as numerous examples in Offit’s book show, they don’t waste time doing so.

The hard facts of preventable disease are striking. Before effective vaccines were utilized parents faced these diseases each year:

Diptheria—12,000 deaths/year—mostly kids

Rubella—20,000 infants born blind, deaf, or mentally disabled

Polio—15,000 children paralyzed, 1000 killed

Mumps—common cause of deafness, sterilization in adolescent males

Hib—20,000 children with meningitis, bloodstream infections, pneumonia, 1000 deaths per year. Many survivors contend with lasting brain damage.

Pertussis (whooping cough)—300,000 cases causing 7,000 yearly deaths

(Plotkin, Orenstein, Offit, 2008, Offit, 2011)

To illustrate the tactical nature of infectious disease, Offit presented the 2005 case of an unvaccinated teenager who returned to Indiana from a trip to Romania. Bearing heart-felt stories and a case of the measles, she spent a few hours at the picnic and in that time infected 31 of 35 (89%) of unvaccinated attendees. Of the 465 vaccinated people at the picnic, 3 (0 .6%) contracted the disease. What does this show? If you’re unvaccinated, you will most likely catch measles when exposed.

This information is powerful, but there are forces against vaccinating in play: complacency, anti-vaccination sentiment, and the fact that there can be rare severe vaccine reactions. The thought of vaccine injury can give the most staunch vaccine advocates second thoughts.

Things can go wrong:

From children being allergic to eggs (in which many vaccines are incubated) and gelatin to shoddy manufacturing practices to imperfect vaccine delivery systems, there can be issues with vaccines.

While University of Pittsburgh’s Jonas Salk’s polio vaccine was one of the greatest developments in public health, the road from Salk’s lab to America’s disease eradication was not completely straight. Soon after the successful vaccine was licensed in 1954, children became infected with polio. One laboratory that produced the vaccine did not fully inactivate the virus and of the 120,000 children who received that vaccine, “seventy thousand suffered mild polio, two hundred were severely and permanently paralyzed, and ten died. It was one of the worst biological disasters in American history,” (Offit, 2011).

In more recent times, John Salamone has testified to the risks of vaccinating. In 1990 Mr. Salamone’s son, David, received Sabin’s oral polio vaccine and contracted the illness. Had David been given Salk’s injection instead, he wouldn’t have been exposed to the live vaccine that was dangerous in combination with his undiagnosed congenital immune deficiency.

 

Salamone’s experience compelled him to advocate for the Salk vaccine, working with the Center for Disease Control not against them. He said, “They were all incredibly professional, all very caring, all wanting to do the right thing,” (Offit, 2011). There can be issues with the development of vaccines, but there are many who see the solution to that as having tight, methodical procedures to ensure vaccine safety, not to avoid them all together. Offit points out in his book that the production of faulty polio vaccine in 1954 “led to the creation of a vaccine regulatory system,” to ensure such events were not repeated.

Vaccine Coverage

Controversy and complacency surrounding vaccinations have caused many parents to decide not to vaccinate their children. Parents wonder, “Why should I take the risk with my child if everyone is already doing it?” Offit offers some thoughts on the matter. “The great unsaid about vaccines is that if everyone in the world is vaccinated it would make more sense for a parent not to vaccinate.” (Offit, 2011). But this only works if enough people are protected. Some children, like those with cancer and other immune system challenges, cannot be vaccinated. They are at high risk for the most virulent effects of these diseases.

Healthy People 2020 suggests 95% vaccine coverage to fend off disease. The Morbidity and Mortality Weekly Report (June 3, 2011) reported that Pennsylvania is at 86.9% coverage for MMR vaccine—the 2nd lowest in the country. There have been measles, hib, mumps and pertussis outbreaks in Pennsylvania recently, as might be expected due to the relatively low vaccine coverage rates.

A Different Focus

The March of Dimes along with the Sounds of Pertussis (whooping cough) Campaign are targeting adults for vaccine coverage. Pertussis is a good example of a disease that adults can help fight off for the unvaccinated. Pennsylvania is right at 90% coverage for pertussis vaccines in children, but pertussis provides a unique window into what happens when there isn’t quite enough protection.

It turns out that adults need to have a pertussis booster in order to remain immunized against the disease. When adults contract pertussis, they might present with mild symptoms, but they can easily pass it to unimmunized babies for whom it can be deadly.

Unprotected

Rodney and Jerri-Lynn Throgmorton wanted nothing more than to protect their daughter when she came into the world, unexpectedly at home. Rodney recalls the moment he delivered Haleigh, “Words can not express my bond.”

“Once at the hospital, my mom decided to sleep in the waiting room because she had been coughing pretty hard and did not want to keep us awake.  Later we realized she already had pertussis.” The disease then spread to Rodney and his father, and two weeks later, to newborn Haleigh.

“We were frightened when repeated trips to the doctor did not produce any benefit. [When Haleigh was]  moved to the pediatric ICU, we were scared out of our minds.”

After Haleigh was diagnosed with pertussis, Rodney says, “… I read that there was a 2% chance of death [and] I was mortified because that seemed like incredibly bad odds.  I would take that chance myself and see it as 98% chance of living, but this was my baby girl, who I literally brought into this world.”

Haleigh died when she was 42 days old.

“I was still coughing to the point of throwing up a full six months after being sick.  It was an almost constant reminder of what had taken the life of our baby girl.”

Rodney is compassionate about vaccination. “I would never presume to tell other people how to raise their kids.  I understand people’s fear of the unknown and that leading to them choosing not to vaccinate their kids.” However, Rodney points out that a family can protect their babies by getting their own booster shots.  “We would have all done that had we known. I can think of nothing worse than being responsible for the death of your own child. I think one reason I share Haleigh’s story is atonement. I think a parent choosing not to vaccinate themselves is akin to that parent leaving a loaded gun lying around.”

Natalie Norton is a mother who speaks for the Sounds of Pertussis campaign. Her son, Gavin, died of whooping cough in 2010. She recalls, “Richie and I were so excited to have another son. In 2009 we flew to Utah from Hawaii for Christmas. Gavin was two months old.” At the time, Gavin was healthy and was due to have his pertussis vaccination after the trip. “Around December 26, 2009 Gavin developed a small cough; and by the 29th he was gasping for air, turning blue and there was no way to relieve it.”

The Nortons made repeated trips to the doctors. “After several appointments and time in the hospital they determined Gavin had pertussis, sedated him and suctioned his lungs. He screamed and cried until he couldn’t breathe, his body shut down, and his organs began to fail.”

The pertussis progressed quickly. “I don’t think I realized how dire it was until a few hours before he died. I knew we had to let him go. I held him and told him I loved him and that I was sorry I didn’t know I could have protected him.”

Natalie is using her experience to warn other parents of the dangers of them not being vaccinated. “When babies Gavin’s age contract pertussis there’s very little they can do. Prevention is the key. No one mentioned I needed a booster. I would have gotten one if I had known.”

Siobhan Dolan, MD, a consultant to the March of Dimes said the Sounds of Pertussis campaign focuses on adult vaccination as well. “Adults who will be around newborns need a booster if they didn’t receive one after the age of 12. Women who are thinking of becoming pregnant should get the booster beforehand and those who did not should get it before they leave the hospital post-partum.”

As both Rodney’s and Natalie’s stories demonstrate, “cocooning” small children in pertussis-free environments is imperative.

Conclusion

Pro and anti-vaccine advocates, share the same passion, the same sorrow, the same worry, and the same goal—to keep our children safe.

The debate isn’t whether parents should be forced to vaccinate—in Pennsylvania, they’re not. Looking at the evidence and deciding how to best protect children is the key to finding your answer to the questions raised in the pro/anti-vaccine argument.

Vaccines are not perfect. There are advocacy roles for parents in pushing for vaccine safety that don’t shove the use of vaccines completely off the table. There is work to be done. But, as Natalie Norton and John Salamone show, the work can be cooperative.

https://www.soundsofpertussis.com

https://www.marchofdimes.com/search.html

 

 

Share
  • Pin it
  • Share
  • Tweet
  • Share
  • Email
  • Print

Welcome, A.R. Silverberry!

6 / 6 / 145 / 28 / 15

Please welcome, A.R. Silverberry! peter Author Photo 2 198x300He is an accomplished author who, you will see by his guest post below, is incredibly smart. Beyond sheer brains (and jealousy-inducing organizational skills) he tells compelling, plot-driven stories that are chock-full of richly drawn characters. Do not miss the chance to learn more about Silverberry and be sure to buy both his novels…

THE STREAM is his most recent release…

The Stream book cover

Fables, Allegorical Tales, and Filet Mignon
A Guest Post by A. R. Silverberry

 Some of the most endearing stories fall in the category of fables, parables, and allegories, perhaps, because they so powerfully convey the deepest ideas and emotions about the human condition. Aesop’s fables, heard in childhood, sink deep into our psyches and shape our actions. As a writer who works slowly—a chapter from one of my novels took twenty-nine drafts!—The Tortoise and the Hare still brings me comfort. It’s okay to go slow. The Boy Who Cried Wolf carries an undeniable ring of truth. Lose the trust of others, and we lose big time.

Fables don’t have to just be for children, and they don’t have to just include animals, though traditionally the fable is defined that way. For example, the director of the film, Kate and Leopold, described the story as a modern fable about love as a leap into the unknown. A number of modern writers have penned fables for adults. Think of Thurber’s Fables For Our Time and George Orwell’s Animal Farm. The wonder of these tales is how we absorb their message seemingly through our pores. Little thinking is required; understanding is instantaneous.

While the fable delivers a succinct, clear message, the allegorical novel is subtler, telling the story on two levels: literal and figurative. The reader is in for a treat. She can read the story purely for enjoyment, or she can delve into the story’s deeper meaning. Alice and Wonderland is an example of an allegorical novel. For pure fun, it’s the adventure of a girl entering a strange land by going down a rabbit hole. Beneath the adventure is a story replete with symbols and figures of speech, and scholars have found parallels to politics, Victorian culture, and mathematics, to name a few. We’ll never exhaust what can be found in the book!

I think of my novel, The Stream, as both fable and allegorical novel. It can be read purely as an adventure about survival. Beneath that story runs another story, bound up in the metaphor of a stream. The story raises questions about how one finds meaning in life when things constantly change. It raises questions about how to cope with the devastating blows reality throws at us, how to go on, how to build a life. Like many allegorical novels, the characters of the story are also symbols. The hero, Wend, symbolizes the innocent state we’re all in as we enter the flux of life. The stream itself is both a character and symbol: giver and taker, creator and destroyer.

The great thing about fables and allegories is that you don’t have to work if you don’t want to. You can simply sit back and enjoy the ride, let the characters and plot entertain you, and feel the emotional fulfillment the story promises. But if you want to delve for gems, if you want to think and discover, if you want filet mignon rather meatloaf, it’s all there, waiting for your questing mind.

Synopsis of The Stream:

 What if your world was six miles wide and endlessly long?

After a devastating storm kills his parents, five-year-old Wend awakens to the strange world of the Stream. He discovers he can only travel downstream, and dangers lurk at every turn: deadly rapids, ruthless pirates, a mysterious pavilion that lures him into intoxicating fantasies, and rumor of a giant waterfall at the edge of the world. Defenseless, alone, with only courage and his will to survive, Wend begins his quest to become a man. Will tragic loss trap him in a shadow world, or will he enter the Stream, with all its passion and peril?

Part coming-of-age tale, part adventure, part spiritual journey, The Stream is a fable about life, impermanence, and the gifts found in each moment.

 Purchase The Stream:

 Ebook:

Amazon

Barnes and Noble

iTunes: Coming Soon!

Softback:

Amazon

 Purchase Wyndano’s Cloak:

 Ebook:

Amazon

Barnes and Noble

iTunes

Limited first edition Hardback:

 Signed and unsigned copies available only from the author

 Follow A. R. Silverberry:

Website

Facebook

Twitter

About A. R. Silverberry:

A. R. Silverberry writes fiction for adults and children. His novel, WYNDANO’S CLOAK, won multiple awards, including the Benjamin Franklin Award gold medal for Juvenile/Young Adult Fiction. He lives in California, where the majestic coastline, trees, and mountains inspire his writing. THE STREAM is his second novel.

Share
  • Pin it
  • Share
  • Tweet
  • Share
  • Email
  • Print

Posts navigation

Previous Page 1 2 … 4 5 6 7 8 … 52 53 Next Page

Recent Posts

  • Christmas Past and Present
  • The River Jewel–A Letter Series Prequel
  • Strongman and the Mermaid–Dresses
  • Pink Moon–Strongman and the Mermaid
  • The Strongman and the Mermaid–Shrove Tuesday

Recent Comments

  • Louise on Welcome, A.R. Silverberry!
  • Kathie Shoop on Welcome, A.R. Silverberry!
  • AR Silverberry on Welcome, A.R. Silverberry!
  • Kathie Shoop on Welcome, A.R. Silverberry!
  • AR Silverberry on Welcome, A.R. Silverberry!

Categories

  • Angel Child / Devil Child
  • Bad Housewife Behavior
  • Behind the Book
  • Books
  • Contest
  • Fashion
  • Guest Post
  • Recipe of the Week
  • The Calm Before the Stork
  • The Writing Life
  • Uncategorized

Meta

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org

Follow Me!

  • Facebook
  • Twitter
  • Pinterest
  • RSS
  • Email
  • Custom 1
  • Custom 4
Copyright © 2006 - 2020 Kathleen Shoop. All rights reserved.
Angie Makes Feminine WordPress Themes